Huh?
How is it that you understand
So much of what I feel inside?
Do I lay myself so open
That I can be read like a hand?
Is there nothing that I can hide
From the prying eyes of you women?
Huh?
How is it that you understand
So much of what I feel inside?
Do I lay myself so open
That I can be read like a hand?
Is there nothing that I can hide
From the prying eyes of you women?
Memory, that unlocked drawer
Where words go in,
Come out no more,
Is of the past.
An afterthought,
In which no thought
Is last or lost
But filed away
For some future date,
When the secret word is said
And the magic key is found
To loose the heart for love
And free the head
From hate.
.
Love, the sweetest plum
Which from the tree
Of life has hung,
Was picked
And then the eater felt
A melancholy sadness
In his heart
When from his paradise
He left, even though his love
He won’t depart,
Forever.
.
Eluding classification, description,
Evading imagination’s images,
Frustrating fragrant phrases,
And escaping time
Is this love of mine.
.
No ends of thoughts are thoughtless ends
When to my mind for thoughts I send
But all the thoughts that I can see
Are all the thoughts that endless be.
.
No thoughts had I of anything
Or at least that’s what I thought
I even thought I couldn’t think
But now I think I never thought.
In 1964, a huge slice of my childhood ended when Michele Finney left the CBC kid’s program Razzle Dazzle. I had been a fan of hers from her earliest days there (1960-61). In fact, we used to correspond regularly.
While still living in Windermere in 1962, I got hold of a Toronto phone directory and using a little bit of logic, worked out which Finney listing was under her father’s name. (For those interested, I deduced that the listing in the same WAlnut 7 area as the CBC studios would be it.) One Saturday, I rang the number: a woman answered; I asked to speak to Michele; she said, “Just a minute,” and went and got her! We had a short chat. She claimed to know who I was from our correspondence (I’ll bet she says that to all the boys). Thereafter, I called her about once a month for the next year.
One of my greatest treasures was a photograph of her interviewing the Beatles at Maple Leaf Gardens in Toronto. She’d addressed it to me and signed it on the back. I no longer have any idea of the whereabouts of that photo, but I found a copy on the internet recently.
I believe it was in 1965 that Michele returned to Razzle Dazzle for a guest appearance. I had been visiting a school friend (in Barrie) after classes and happened to see the program. As the shows were performed live in those days, I immediately rang the CBC studios in Toronto at the end, and asked to speak to Michele Finney. I was immediately put through to her and we had another of our little chats. That was the last time we spoke on the telephone.
For the next few years, we continued to keep in contact, even after I moved to Vancouver and she was in Canada, after moving back from California to Toronto. But as with all relationships, time passed and connections get lost.
Years ago, I read a magazine article in Macleans in which Michele was interviewed, and she commented on the fact that she had had correspondence with some fans over the years. I like to think that one of those fans she was referring to was me. If you happen to read this Michele, Chris says “Hi.”
Dec 2016: Michele and I have reconnected on Facebook.

(Photo of Michele courtesy of Facebook)
In July of 1969, man walked on the moon for the very first time. At the time, being in my late teens, I thought that, wonderful achievement that it was, the money should have been spent on more worthwhile endeavours, like feeding the poor or building affordable housing. Seems that I was a bit ahead of my time…
Off Base
By leaping to the Base Tranquility,
Mankind now seemed to have surmounted all:
He found that he could jump a ten-foot wall,
Thus reaping his new-learned agility.
Not knowing the fatigue, futility
Of planting plastic in the lunar fall,
He hopes to raise synthetic crops so tall,
Though silently sowing sterility.
I think that we should not be too concerned
With distant interplanetary life,
At least for three or four more earthly years;
I feel, as yet, we haven’t really learned
To conquer all our worldly woes and strife,
To help appease our apprehensive fears.
Expected to be Tired
Wait?
Relax??
Be patient???
HOW?!!!
When my wife’s a patient about to give birth,
How can I judge if the waiting is worth
The worry that wearies me?
The limerick is a poetical form popular since the 18th century. The idea that there can be ‘clean’ limericks is farcical at best. However, I have a couple of examples that I wrote which are cleaner than most.
There was an old man from Vancouver,
Who bought his new wife a used Hoover;
She put in the plug,
It sucked up the rug,
So he got a big van man to move her.
There was a young woman from Barrie,
Who loved kissing armpits, quite hairy;
One day, she did smell,
And said, “This is hell:
Some sweaty men’s armpits are scary.”
A young maiden from St. Catharines
Felt she’d have to pay dearly for sins;
So she thought, “What’s the harm-a,
If I charge them to Karma,
Cause a person with debts never wins?”
We have a love/hate relationship with death. When we’re young we view it as the ultimate end to everything we know, so we try to ignore it. As we grow older, we begin to see it differently. When our parents die we know that we’ll be next, but it’s still somewhere in the future. It’s only when we get old, do we welcome death as a relief. By then, we’re tired, and all we want to do is rest. But is it the end?
Smouldering Death
The end of life is death,
When the body exhales its breath.
It’s the terminal of life’s bus route;
The final station at the train’s last toot.
Death is the only hope for the spiritualist,
And the greatest fear for the atheist.
To some, death is the cold end to life in any form;
To others, the beginning of a greater life, secure and warm.
It sends chills down the spine of older folk,
And is laughed at by the young, a filthy joke.
Life is a match, blown out by a breath,
But until it stops smouldering, there is no death…